Paul Mescal has had enough of the term “content” when it comes to filmmaking. The 28-year-old Gladiator II actor recently shared his strong opinions on the subject with The Sunday Times, calling it a “filthy word” that diminishes the art of cinema.
“Over the last few years people have been talking about films as content,” he said, clearly unimpressed with the label.
“That’s a filthy word. It’s not ‘content’, it’s f-cking work,” he added, making his disdain crystal clear. For Paul, calling films “content” suggests a lack of respect for the hard work, artistry, and passion that go into making movies.
He elaborated further, explaining that he sees two different mindsets in the industry. “I’m not being snobby, but there are two concurrent industries. One that works with a lack of care, artistic integrity. Go nuts, make stuff with Instagram followers as a factor, whatever…” Paul remarked. He emphasized that while some projects prioritize social media metrics over quality, he sees true filmmaking as something much deeper.
“But the other is what has always been there — the craft of film — making, directing, lighting, and production design. That keeps artists alive,” he added, highlighting the distinction between art created for clicks and views versus cinema created with genuine passion and creativity.
Paul also touched on his feelings about fame and how the success of Gladiator II could impact his life. He previously told The Times U.K. that he’d be “profoundly depressed” if the sequel’s success brought him even more fame than he already has.
“I’ll have an answer next year, but if [the film] impacts my life in that way, I’ll be in a bad spot,” he admitted. For Paul, too much fame might drive him away from mainstream projects. “I’d have to move on and do an obtuse play nobody wants to see,” he joked, hinting that he might return to more low-key theater work if the spotlight gets too intense.
For Paul Mescal, film is more than just a product—it’s a craft that deserves respect, not a catchy label for the internet era. His words underscore his commitment to art over popularity, and his hope to keep filmmaking grounded in creativity rather than clicks.
